The new film from Ang Lee, the Academy Award-winning
director of "Brokeback Mountain" and "Crouching Tiger, Hidden Dragon." A
startling erotic espionage thriller about the fate of an ordinary woman's
heart, it is based on the short story by revered Chinese author Eileen
Chang, and stars Asian cinema icon Tony Leung opposite screen newcomer Tang
Wei. Shanghai, 1942. The World War II Japanese occupation of this Chinese
city continues in force. Mrs. Mak, a woman of sophistication and means,
walks into a café, places a call, and then sits and waits. She remembers...
how her story began several years earlier, in 1938 China. She is not in fact
Mrs. Mak, but shy Wong Chia Chi (Tang Wei). With WWII underway, Wong has
been left behind by her father, who has escaped to England. As a freshman at
university, she meets fellow student Kuang Yu Min (Wang Leehom) Kuang has
started a drama society to shore up patriotism. As the theater troupe's new
leading lady, Wong realizes that she has found her calling, able to move and
inspire audiences – and Kuang. He convenes a core group of students to carry
out a radical and ambitious plan to assassinate a top Japanese collaborator,
Mr. Yee (Tony Leung). Each student has a part to play; Wong will be Mrs. Mak,
who will gain Yee's trust by befriending his wife (Joan Chen) and then draw
the man into an affair. Wong transforms herself utterly inside and out, and
the scenario proceeds as scripted – until an unexpectedly fatal twist spurs
her to flee. Shanghai, 1941. With no end in sight for the occupation, Wong –
having emigrated from Hong Kong – goes through the motions of her existence.
Much to her surprise, Kuang re-enters her life. Now part of the organized
resistance, he enlists her to again become Mrs. Mak in a revival of the plot
to kill Yee, who as head of the collaborationist secret service has become
even more a key part of the puppet government. As Wong reprises her earlier
role, and is drawn ever closer to her dangerous prey, she finds her very
identity being pushed to the limit...
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